Decentering the human feels like a theme throughout your work.One of my earliest pieces was called “Coin-Operated Wetland.” It was an installation that recreated what I was doing as an engineer, but in a gallery space. I built a system where a washing machine was connected to a wetland. The whole installation was a closed system, where the water that was used to wash clothes ultimately ended up in the wetland and then circulated back to the washing machine. What if you show people that there is no downstream? What if you’re confronted with the life forms that are directly impacted by your actions?