Papers & Poster
https://zenodo.org/record/3939165 Live coding in Western classical music
https://zenodo.org/record/3939123 Re-coding the Musical Cyborg
https://zenodo.org/record/3939135 Live Coding Tools for Choreography: Creating Terpsicode
https://zenodo.org/record/3939154 The Megra System - Small Data Music Composition and Live Coding Performance
https://zenodo.org/record/3939176 The Live Loom
https://zenodo.org/record/3939174 Cibo v2: Realtime Livecoding A.I. Agent
https://zenodo.org/record/3939206 Live Coding From Scratch:The Cases of Practice in Mexico City and Barcelona
https://zenodo.org/record/3939222 Liveness, Code, and DeadCode in Code Jockeying Practice
https://zenodo.org/record/3939228 Designing for a Pluralist and User-Friendly Live Code Language Ecosystem with Sema
https://zenodo.org/record/3939238 Disabled Approaches to LiveCoding, Cripping the Code
https://zenodo.org/record/3939244 Live Coding Procedural Textures of Implicit Surfaces
https://zenodo.org/record/3939258 Filling In: Livecoding musical, physical 3D printing tool paths using space filling curves
https://zenodo.org/record/3939262 RIPPLE: integrated audio visualization for livecoding based on code analysis and machine learning
https://zenodo.org/record/3939267 Functional Live Coding vs. DAWs and VSTs
https://zenodo.org/record/3939275 Visor in Practice: Live Performance and Evaluation
https://zenodo.org/record/3939279 Live coding the code: an environment for `meta' live code performance